
Saturday, April 7, 2012
Ride down the steps
Thursday, March 29, 2012
Something fishy goin' on


These are band saw cut sculpture with carved watery wood bases, they vary in size from 6" to 20", some are multiples and some are swimming up stream by themselves. These guys have a band saw texture that has been buffed and feels bumpy and smooth at the same time. This really shows the tool use and craftsman's work. I have a few of these fish sculptures for sale, I can put them in a box and swim to you! Email me! Thanks- Phil
Tuesday, March 6, 2012
Thursday, March 1, 2012
Budhha cabinet
Monday, February 27, 2012
Wednesday, February 22, 2012
After a year of work

It was all taken in stride of course, its what I do and how I do it!



Friday, November 11, 2011
Final fit
Parts puzzle
Pressing matters





Smart choices
Cut for parts

I'll take the veneer sheets and slice them in sequence for each door or drawer bank thats taped with a little masking tape and marked for location: front door and drawer for island, front surface, back surface. I am going to need enough for twice the overall surface area because each door gets veneer front and back for structural balance. One of the overall woodworking rules is to treat both sides of a board the same, same sanding, same finish, same air flow while stacked and so on, this keeps wood stable. Veneered doors are no exception, so I balance the layers of veneer and hopefully the door will stay flat and true.
Sheets

The veneer comes in a stack of slices from the same board- its my job to sort it out and create a pattern for the grain as it relates to the whole job- in this case we are using three widths of veneer book matched and oriented to be horizontal throughout the kitchen. Each door and section of cabinet needs to be in sequence to the overall pattern and layout- this requires a little planning and organization.
Adventures with veneer
This is the species of veneer I am using:
Santos mahogany veneer-

Myroxylon is a genus of two species of Central American and South American trees in the Fabaceae (Leguminosae). The tree is well known in the western world as the source for Peru balsam and Tolu balsam. The tree is often called Quina or Balsamo. Other names include Tolu in Colombia, Quina quina in Argentina; in lumber trade, sometimes named Santos Mahogany.
Its sweetish scent, reminiscent of vanilla and green olives, has caused it to be used in the manufacture of perfumes as a source for Balsam. Balsam of Peru is used as a flavoring and fragrance in many products and can cause allergic reactions.[2]
They are large trees growing to 40 m tall, with evergreen pinnate leaves 15 cm long with 5-13 leaflets. The flowers are white with yellow stamens, produced in racemes. The fruit is a pod 7–11 cm long, containing a single seed.[3]
The wood is dark brown with a deep red heartwood. Natural oils grant it excellent decay resistance. In fact, it is also resistant to preservative treatment. Its specific gravity is 0.74 to 0.81.
As regards woodworking, this tree is regarded as moderately difficult to work but can be finished with a high natural polish; some tool dulling.